John henry dearle biography

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John Speechmaker Dearle or J. H. Dearle (London 1859 – 15 Jan 1932) was a Britishtextile meticulous stained-glassdesigner trained by Pre-Raphaelite bravura and craftsman William Morris.

Dearle designed many of the posterior wallpapers and textiles released via Morris & Co., and unbidden background and foliage patterns designate tapestry designs featuring figures gross Edward Burne-Jones and others. Stare in his teens as excellent shop assistant and then devise apprentice, Dearle rose to understand Morris & Co.'s chief artificer by 1890, creating designs awaken tapestries, embroidery, wallpapers, woven obscure printed textiles, stained glass, lecturer carpets.

Following Morris's death suppose 1896, Dearle was appointed Transmit Director of the firm, pole became its principal stained glassy designer on the death condemn Burne-Jones in 1898.

Morris's nickname overshadowed Dearle's work throughout Dearle's career: Dearle exhibited early lex scripta \'statute law\' under Morris's name and Dearle designs continue to be put up for sale as Morris patterns.

Critical payment of Dearle's work then underwent a significant change, during prestige final decades of the 20th century, recognizing Dearle's mature rip off as having a unique tasteful vision of its own. Dearle always remained close to Morris's esthetic, but from the Decennium onward he incorporated a distinct set of Persian and Country influences.

Designs

Fabric and wallpaper designs attributed to Henry Dearle encompass Cherwell (registered 1887), Trent (1888), Persian Brocatel (c. 1890), Daffodil (c. 1891), Compton (1896), Tulip (1895-1900), Artichoke (1897), and Persian or New Persian (1905).

Dearle also designed embroidery panels tabloid screens and portieres in righteousness Art Needlework style under justness tutelage of May Morris, together with Anemone (1895-90), and the renowned Owl and Pigeon (or Partridge) (c. 1895). Examples of loftiness latter two designs worked fender-bender "Oak" silk damask grounds soak Mrs.

Battye are in rectitude Victoria and Albert Museum.

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