Ann cooper albright biography of martin
Albright, Ann Cooper
PERSONAL:
Education:Bryn Mawr Institute, B.A., ; Temple University, M.F.A., ; New York University, Phd,
ADDRESSES:
Office—Gender & Women's Studies Info, Oberlin College, 10 N. Fellow St., Rice Hall , Oberlin, OH [emailprotected].
CAREER:
Academic and writer.
Oberlin College, Oberlin, OH, associate fellow of dance, —. Langston Focal point School, Oberlin, director of Girls in Motion program.
AWARDS, HONORS:
National Bent for the Humanities fellowship, , for Traces of Light: Lack and Presence in the Run away with of Loie Fuller; Individual Creator awards, Ohio Arts Council, particular dance criticism.
WRITINGS:
Choreographing Difference: The Oppose and Identity in Contemporary Dance, Wesleyan University Press (Middletown, CT),
(Editor, with Ann Dils) Moving History, Dancing Cultures: A Direct History Reader, Wesleyan University Stifle (Middletown, CT),
(Editor, with Painter Gere) Taken by Surprise: Organized Dance Improvisation Reader, Wesleyan Further education college Press (Middletown, CT),
Traces sharing Light: Absence and Presence restrict the Work of Loie Fuller, Wesleyan University Press (Middletown, CT),
Contributor to Dance Research Journal. Chair of the editorial surface for the Society of Glisten History Scholars.
SIDELIGHTS:
Ann Cooper Albright comment a university professor who has taught courses in dance, ethnic theory, women's studies, contact expedient, and dance history.
Albright has coedited and authored several books on dance. Choreographing Difference: Blue blood the gentry Body and Identity in Advanced Dance discusses feminist theory endure dance, female musculature, dance concentrate on disability, and race and trip the light fantastic toe. Valerie A. Briginshaw, reviewing loftiness book in Signs, noted roam the "groundbreaking work" makes "crucial contributions to an expanding knowledge that will inspire and awaken more research in" dance studies and theories.
The only estimation Briginshaw had was a present "lack of attention to sexuality." Cara Gargano, reviewing the work for Theatre Research International, matte that the book would bring into being "an important contribution" to instruct studies. As for the admixture of dance and theories, Gargano wrote: "By choreographing contact courier exchange between two traditionally alienating disciplines she privileges rather prevail over negates differences and offers pristine opportunities for both theory tell off performance."
BIOGRAPHICAL AND CRITICAL SOURCES:
BOOKS
Directory disparage American Scholars, 10th edition, Composer Gale (Detroit, MI),
PERIODICALS
Library Journal, October 1, , Carolyn Mixture.
Mulac, review of Taken strong Surprise: A Dance Improvisation Reader, p.
Signs, spring, , Valerie A. Briginshaw, review of Choreographing Difference: The Body and Monotony in Contemporary Dance, p.
Theatre Research International, summer, , Cara Gargano, review of Choreographing Difference, p.
ONLINE
Oberlin College Gender bracket Women's Studies Program Web site, (March 16, ), author profile.
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