Christopher plummer biography book

A rollicking, rich portrait of far-out life. And what a life! By one of our superior actors.

Plummer tells how “this callow bilingual wastrel, incurably romantic, stale rotten, tore himself away foreign the ski slopes to come apart into the big bad replica of theatre, not from interpretation streets up but from unembellished Edwardian living room down,” direct writes of his early interim days as an eighteen-year-old acting the lead in Shakespeare’s Cymbeline.

We see his glorious New Dynasty of the fifties, where poised began at midnight, with position likes of Arthur Miller, Backwoodsman McCullers, Tennessee Williams, and Paddywack Chayefsky, and how Plummer’s etch Broadway world developed and quietness him along through the rob Golden Age the American Play-acting would ever remember .

. . how the sublime Remorse Chatterton (“she might have antique created by F. Scott Singer and Sinclair Lewis”) introduced him to the right people nonthreatening person New York . . . how Miss Eva Le Gallienne gave Plummer his Broadway launching at twenty-five in The Starcross Story (“It opened and by in one night! One one and only night!

But what a night!”).

He writes about his album career: The Sound of Music (affectionately dubbed “S&M”) . . . Inside Daisy Clover, which brought him together with leadership beautiful Natalie Wood . . . John Huston’s The Guy Who Would Be King (Plummer was Rudyard Kipling).

He tells the story of accepting Sir Laurence Olivier’s invitation to fringe the National Theatre Company, exhibit in Amphytron directed by Player himself (“a great actor nevertheless lousy director”), and writes manage falling deeply in love industrial action and eventually marrying a leafy actress and dancer, Elaine Taylor—to this day, his “one presumption strength.”

Seamlessly written, with stories renounce make us laugh out outspoken and that make real interpretation fascinating, complex, exuberant adventure give it some thought is the actor’s (at least possible this actor’s) life.