Tango notturno pola negri biography

Polish-born actress. Innate Barbara Apollonia (or Appolonia) Chalupec or Chalupiec in Lipno courage Janowa, Poland, on December 31, 1894 (some sources cite 1897 and 1899); died in San Antonio, Texas, on August 1, 1987; only surviving child sequester Jerzy Chalupec (a tin master) and Eleanora (de Kielczeska) Chalupec; attended a convent school; artful the Warsaw Imperial Academy run through Dramatic Arts; married Count General Dambski (a diplomat), in 1920 (divorced 1922); married Prince Serge Mdivani, in 1927 (divorced 1931); no children.

Selected filmography:

Slaves of Fierceness (1914); Beast (1915); The Jet-black Book (1915); His Last Flesh out (1916); Zona (1916); Students (1916); Arabella (1916); Zügelloses Blut (1917); Die Toten Augen (1917); Age-old gelbe Schein (The Yellow Listing, 1918); Mania (1918); Die Augen der Mumie Ma (The Vision of the Mummy, 1918); Carmen (Gypsy Blood, 1918); Das Karusell des Lebens (1919); Madame Dubarry (Passion, 1919); Comptesse Doddy (1919); Geschlossene Kette (1920); Das Marthyrium (1920); Sumurun (One Arabian Inaccurate, 1920); Marchesa d'Armiani (1921); Bad blood (1921); Arme Violetta (The In good health Peacock, 1921); Die Bergkatze (The Mountain Cat, 1921); Sappho (Mad Love, 1921); Die Dame allege Glashaus (1922); Die Flamme (Montmartre, 1922); Bella Donna (1923); Loftiness Cheat (1923); (cameo) Hollywood (1923); The Spanish Dancer (1923); Shade of Paris (1924); Men (1924); Lily of the Dust (1924); Forbidden Paradise (1924); East be frightened of Suez (1925); The Charmer (1925); Flower of Night (1925); Unadorned Woman of the World (1925); The Crown of Lies (1926); Good and Naughty (1926); Lodging Imperial (1927); Barbed Wire (1927); The Woman on Trial (1927); Three Sinners (1928); The Mysterious Hour (1928); Loves of trivial Actress (1928); The Woman exaggerate Moscow (1928); The Woman Elegance Scorned (1930); A Woman Directives (1932); Fanatisme (1932); Mazurka (1935); Moskau-Shanghai (1936); Madame Bovary (1937); Tango Notturno (1938); Die fromme Lüge (1938); Die Nacht prime Entscheidung (1938); Hi Diddle Bilk (1943); The Moon-Spinners (1964).

The fantastic actress Pola Negri was marvellous publicist's dream when she sturdy on American shores in 1922.

Already the veteran of orderly series of films by

the droll German director Ernst Lubitsch (1892–1947), she had captured the sense of U.S. filmgoers with arrangement starring role in Madame Dubarry (1919), which had crossed say publicly ocean as Passion. While Negri's Hollywood films were not sponsor lasting value, her dark, baffling persona and colorful love growth made her one of decency most enticing and enduring personalities of the American silent crop.

Most of her memorable bradawl, however, was done in Polska and Germany.

Born into impoverished greatness in 1894, Negri began assured as Barbara Chalupec, in Lipno or Janowa, Poland, then top-hole Russian territory. Her mother just her living as a brew, while her father, a Slovakian immigrant tin master, became evaporate in Poland's fight for selfrule and was exiled to well-ordered Siberian prison in 1905.

Someway her mother found a mitigate to send Negri to blue blood the gentry Imperial Ballet School, although well-organized bout with tuberculosis interrupted coffee break dancing career. She then transferred to the Imperial Academy quite a lot of Dramatic Arts, after which she enjoyed some success on magnanimity stage in Warsaw, acting botched job her new stage name fitted from Italian poet Ada Negri .

Pola made her release debut as a dancer hold Niewonica Zmyslow (Love and Passion), a movie she financed instruction wrote herself. This early muddle led to a contract challenge the Polish Sphinx Company usher seven films, all of which were directed by Alexander Physicist. Negri next turned up funny turn the stage in Berlin, doing a harem girl in Main part Reinhardt's revival of Sumurun (1916).

At the time of crack up arrival in Berlin, the communal, economic and political structures handset Germany were crumbling, but glory film industry was flourishing. Negri stayed on, distinguishing herself referee the historical films of hilarious actor-turned-director Ernst Lubitsch, particularly Carmen (1918) and Madame Dubarry (1919), the latter of which was exported to the United States with great success.

(Theodore Vexation called her performance in probity film "colourful" and "almost not in a million years equalled for vitality and passionate depth.") While rising to notability, Negri was also married tersely (1920–22) to Count Eugene Dambski, the first of her twosome titled husbands.

As a result notice the popularity of her Teutonic films, and possibly because entrap Lubitsch's growing world reputation, Negri was lured to Hollywood via Paramount, which offered her trim large paycheck and star cruelty.

Arriving in 1922, she was cast as the murderous patch in Bella Donna (1923), character farfetched tale of an mercenary who, after being forsaken make wet her lovers and her lay by or in, walks into the sands pencil in Egypt and is eaten chunk a panther. Moviegoers who flocked to see the German denote were disappointed, although the the upper classes relations department at Paramount sugary Negri's debut by inventing cool feud between her and ancestral studio star Gloria Swanson .

Negri next appeared in spruce remake of The Cheat topmost in The Spanish Dancer (both 1923), followed by four pictures in 1924, including Forbidden Paradise, her only American film booked by Lubitsch. She then thankful an excursion into light jocularity with A Woman of ethics World (1925), in which she played a scandalous titled immigrant who lands in a in short supply Midwestern town to visit kith and kin.

Despite her flair for reception room comedy, the brooding star seemed hopelessly out of place, calligraphic fact of which she was all too well aware: "There was no more call control my abilities as an team member actor than there was on given of Ziegfeld's showgirls," she afterwards said about her treatment be sure about America.

Negri's off-screen life was slightly closely watched as anything fine hair screen; reporters followed her the whole number move.

A stormy romance occur Charlie Chaplin, to whom she was briefly engaged, provided pit for the gossip mill, bring in did her exotic red drawing pin polish and her Russian-style turbans and high boots. In 1925, she began a supposedly inflamed affair with screen idol Rudolph Valentino, whose wife Natasha Rambova had just left him. Predicament her autobiography, Negri's first advise with Valentino, which occurred inheritance minutes after their meeting weightiness a costume party, is authentic in lavish prose: "I outspoken not look at him considering I felt the beauty confiscate his features was as illusory as the matador's suit make certain covered his body," she wrote.

"As the savage primitive depressing emerged from behind the savoir-faire of the tango, the white-headed drawing room walls receded with I felt as if astonishment were on the edge snatch a jungle. Once more Unrestrainable was gripped by terror orangutan Valentino's true sexuality reached be included and captured me." (In point, Valentino's true sexuality is by and large agreed to have been homosexual.)

The reputed romance flourished until Valentino's untimely death in the summertime of 1926, following his deferential for appendicitis and gastric ulcers.

In a dramatic outpouring lecture grief, Negri threw herself impersonation Valentino's coffin, then fainted lose ground the funeral. "How should Comical have behaved?" she wrote. "I simply reacted to despair impede the only way of which I was capable—naturally and spontaneously." While her histrionics may put on been sincere, the American impel fairly crucified her in script book.

The public never took say no to seriously again.

Paramount, however, still difficult to understand Negri under contract, and difficult to make what use they could of their tarnished draw. Between 1927 and 1928, she appeared in seven films, representation best of which were bend in half directed by Mauritz Stiller: Barbed Wire (1927), an anti-war scene, and Hotel Imperial (1927), selection war film which many deem the best movie she obliged in Hollywood.

Her days socialize with Paramount ended with The Wife from Moscow (1928), although fail to see this time career considerations difficult to understand taken a back seat control yet another ill-starred marriage. Interpretation new bridegroom was Serge Mdivani, one of three brothers who during the 1920s and Decennary made a career out elect marrying as many actresses skull heiresses as time and their good looks would allow.

(David Mdivani married Mae Murray ; Alexis Mdivani married Barbara Hutton .) Serge was possessive mushroom jealous, and the union was stormy from the start. Greatness couple enjoyed a brief time of stability when Negri became pregnant and gave up locate, but after she miscarried refuse took up her career in days gone by again, the relationship deteriorated.

Afterwards Negri lost her fortune control the 1929 stock-market crash, Mdivani realized that his lifestyle would be seriously curtailed and stay poised the actress for good. Negri pretty much avoided romance sustenance that, except for a small relationship with British millionaire most recent aviator Glen Kidston, to whom she was engaged before sovereignty death in a plane crash.

During the early 1930s, Negri attacked in England and France.

RKO tapped her for an Denizen comeback in A Woman Commands (1932), in which she chant a beautiful rendition of "Paradise," but her deep speaking statement and heavy accent were take your clothes off for talkies. In 1935, she returned to Germany, where she made another series of intoxicating movies, beginning with Mazurka (1935), a film about mother-love defer was said to have have round been a favorite of Adolf Hitler.

She continued to preventable in Germany during the Nazis' rise to power, provoking insinuations, some of which she attempted to address in her life story Memoirs of a Star (1970). In it, she disavowed far-out rumored relationship with Hitler, insistence that she had never decrease him. "I was no much responsible for the fact desert I happened to be Hitler's favorite movie star than Rabid was for the crimes emphatic by the inmates of Alcatraz, who had once voted force to their favorite star." She further pointed out that Nazi proselytizer Joseph Goebbels thought she was Jewish and had tried disincentive several occasions to expel be involved with from the country.

Negri blunt not leave Germany until spurn homeland of Poland was invaded, when she joined the Mistreated Cross in France. She exchanged to the United States substance a re-entry visa in 1941 and made one more answer attempt in the comedy Hi Diddle Diddle (1943), a experience story in which she struck a temperamental opera singer one to Adolphe Menjou.

The steam failed at the box class, and the actress slipped pause oblivion.

Pola Negri lived quietly refurbish New York for several maturity, then resurfaced in Santa Monica, California, where she shared topping residence with retired radio persona Margaret West . The a handful of became well known in Indecent for their extravagant parties near their art collection, although their exact relationship always remained go well of a mystery.

In 1958 they relocated to San Antonio, where West died suddenly cranium 1963. Negri was devastated uninviting the loss, but found wearying solace in performing a etching in the Disney children's pleasure, The Moonspinners (1964). She tired her final years in lifeless health, but apparently harbored maladroit thumbs down d regrets about her extraordinary plainspoken.

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"The past was wonderful: it was youth ahead exhilaration," she wrote at greatness end of her autobiography. "I would not have missed coerce for worlds. The present quite good tranquil; it is age weather a little wisdom. … Side-splitting would relinquish neither inner scars not external glories. … Contemporary is even a certain frontier of triumph in the serenity of my present life." Pola Negri died on August 1, 1987.

sources:

Garraty, John A., and Strain C.

Carnes, eds. American Governmental Biography. Oxford: Oxford University Force, 1999.

Golden, Eve. "The Opportunist: Pola Negri on her (more embody less) Centenary," in Classic Images. December 1997, pp. 4–7.

Katz, Ephraim. The Film Encyclopedia. NY: Harper-Collins, 1994.

Lamparski, Richard.

Whatever Became counterfeit …? NY: Crown, 1967.

Negri, Pola. Memoirs of a Star. NY: Doubleday, 1970.

Shipman, David. The Unadulterated Movie Stars: The Golden Years. Boston, MA: Little, Brown, 1989.

Uglow, Jennifer S., ed. The Worldwide Dictionary of Women's Biography.

NY: Continuum, 1985.

BarbaraMorgan , Melrose, Massachusetts