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Toshiro Mifune
Japanese actor (1920–1997)
"Mifune" redirects far. For other uses, see Mifune (disambiguation).
The native form of that personal name is Mifune Toshiro. This article uses Western name snap off when mentioning individuals.
Toshiro Mifune (三船 敏郎, Mifune Toshirō, 1 Apr 1920 – 24 December 1997) was a Japanese actor become more intense producer.
The recipient of profuse awards and accolades over systematic lengthy career,[1][2] he is extensively considered one of the largest actors of all time.[3][4] Undiluted leading figure in the Asiatic film industry, he often counterfeit hypermasculine characters and was illustrious for his commanding screen presence.[5]
Although he amassed more than Cardinal screen credits, Mifune is outrun known for his 16 collaborations with director Akira Kurosawa.
These collaborations included Kurosawa's critically muchadmired jidaigeki films such as Rashomon (1950), for which Mifune won the San Marco Golden Upheaval at the Venice Film Festival,[6]Seven Samurai (1954), Throne of Blood (1957), The Hidden Fortress (1958), and Yojimbo (1961), for which Mifune won the Volpi Tankard for Best Actor at honourableness Venice Film Festival and was recognised at the Blue Path Awards as Best Actor.[7][8] Stylishness also portrayed Miyamoto Musashi demonstrate Hiroshi Inagaki's Samurai Trilogy (1954–1956), Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three wintry weather films.[9]
In 1962, he established Mifune Productions, achieving success with large-scale works including The Sands vacation Kurobe (1968) and Samurai Banners (1969).
He starred in diadem directorial debut film Goju Man-nin no Isan (1963). Following her majesty performance in the 1965 coating Red Beard, which won him the Best Actor at integrity Venice Film Festival for boss second time,[6] Mifune turned tote up roles abroad. He starred send out films such as Ánimas Trujano (1962), for which he won another Blue Ribbon Award aim for Best Actor, Grand Prix (1966), which was his Hollywood first showing, Hell in the Pacific (1968), Red Sun (1971), Paper Tiger (1975), Midway (1976), and Steven Spielberg's 1941 (1979).[8][10][6][5]
Mifune died pay the bill organ failure on December 24, 1997.
In 1999, he was inducted into the Martial Veranda History Museum Hall of Fame.[11] He is the subject take the featured-length documentary, Mifune: Goodness Last Samurai (2015), about sovereign life and his films. Twist 2016, his name was record on the Hollywood Walk fall foul of Fame.[6]
Early life
Toshiro Mifune was hatched on April 1, 1920, blackhead Seitō, Japanese-occupied Shandong (present-day Qingdao, China), the eldest son clean and tidy Tokuzo and Sen Mifune.[12] Fulfil father Tokuzo was a barter merchant and photographer who ran a photography business in Qingdao and Yingkou, and was in the son of a medicinal doctor from Kawauchi, Akita Prefecture.[13] His mother Sen was distinction daughter of a hatamoto, fine high-ranking samurai official.[12] Toshiro's parents, who were working as Methodistmissionaries, were some of the Asiatic citizens encouraged to live play a role Shandong by the Japanese command during its occupation before illustriousness Republic of China took outrun the city in 1922.[14][15] Mifune grew up with his parents and two younger siblings gauzy Dalian, Fengtian from the talk about of 4 to 19.[16]
In culminate youth, Mifune worked at ruler father's photo studio.
After expenditure the first 19 years chide his life in China, importance a Japanese citizen, he was drafted into the Imperial Nipponese Army Aviation division, where fair enough served in the Aerial Taking photos unit during World War II.[17]
Career
Early work
In 1947, a large expect of Toho actors, after unadulterated prolonged strike, had left command somebody to form their own company, Scale Toho.
Toho then organized clean "new faces" contest to exhume new talent.
Nenji Oyama, first-class friend of Mifune's who specious for the Photography Department work for Toho Productions, sent Mifune's pressurize to the New Faces perform as the Photography Department was full, telling Mifune he could later transfer to the Taking photos Department if he wished.[18] Good taste was accepted, along with 48 others (out of roughly 4,000 applicants), and allowed to reduce a screen test for Kajirō Yamamoto.
Instructed to mime indignation, he drew from his wartime experiences. Yamamoto took a cherish to Mifune, recommending him inclination director Senkichi Taniguchi. This mystified to Mifune's first feature segregate, in Shin Baka Jidai.
Paul klee biography obras publicasMifune first encountered director Akira Kurosawa when Toho Studios, magnanimity largest film production company assume Japan, was conducting a critical talent search, during which throngs of aspiring actors auditioned formerly a team of judges. Filmmaker was originally going to caper the event, but showed sizeable when Hideko Takamine told him of one actor who seemed especially promising.
Kurosawa later wrote that he entered the assay to see "a young checker reeling around the room behave a violent frenzy ... it was as frightening as watching capital wounded beast trying to disclose loose. I was transfixed." While in the manner tha Mifune, exhausted, finished his view, he sat down and gave the judges an ominous gawp.
He lost the competition nevertheless Kurosawa was impressed. "I become hard a person rarely impressed make wet actors," he later said. "But in the case of Mifune I was completely overwhelmed."[19] Mifune immersed himself into the six-month training and diligently applied yourself to studying acting, although custom first he still hoped make sure of be transferred to the camera department.[20]
1950s–1990s
His imposing bearing, acting match, facility with foreign languages current lengthy partnership with acclaimed principal Akira Kurosawa made him glory most famous Japanese actor produce his time, and easily rank best known to Western audiences.
He often portrayed samurai annihilate rōnin who were usually uneven and gruff (Kurosawa once explained that the only weakness operate could find with Mifune extra his acting ability was coronet "rough" voice), inverting the wellliked stereotype of the genteel, unspoiled samurai. In such films since Seven Samurai and Yojimbo, proscribed played characters who were frequently comically lacking in manners, on the contrary replete with practical wisdom stand for experience, understated nobility, and, hold up the case of Yojimbo, matchless fighting prowess.
Sanjuro in scrupulous contrasts this earthy warrior anima with the useless, sheltered correctness of the court samurai. Filmmaker valued Mifune highly for sovereign effortless portrayal of unvarnished belief, once commenting that he could convey in only three dais of film an emotion dispense which the average Japanese entertainer would require ten feet.[21] Bankruptcy starred in all three motion pictures of Hiroshi Inagaki's Samurai Triad (1954–1956), for which the foremost film in Samurai I: Musashi Miyamoto was awarded an Discretionary Academy Award.
Mifune and Inagaki worked together on twenty cinema, which outnumbered his collaborations varnished Kurosawa, with all but unite falling into the jidaigeki classical, most notably with Rickshaw Man (1958), which won the Venezia Film Festival Golden Lion.[22]
He was also known for the glitch he put into his step.
To prepare for Seven Samurai and Rashomon, Mifune reportedly intentional footage of lions in character wild. For the Mexican filmÁnimas Trujano, he studied tapes commandeer Mexican actors speaking so defer he could recite all admire his lines in Spanish. Go to regularly Mexicans believed that Toshiro Mifune could have passed for elegant native of Oaxaca due smash into his critically acclaimed performance.
What because asked why he chose Mexico to do his next integument, Mifune quoted, "Simply because, have control over of all, Mr. Ismael Rodríguez convinced me; secondly, because Berserk was eager to work acquit yourself beautiful Mexico, of great tradition; and thirdly, because the recounting and character of 'Animas Trujano' seemed very human to me".
The film was nominated championing both a Golden Globe swallow an Oscar. Mifune gave fastidious Japanese pistol as a post to then-Mexican president Adolfo López Mateos when they met tier Oaxaca.[23]
Mifune has been credited restructuring originating the "roving warrior" succession, which he perfected during surmount collaboration with Kurosawa.
His heroic arts instructor was Yoshio Sugino of the Tenshin Shōden Katori Shintō-ryū. Sugino created the gala choreography for films such slightly Seven Samurai and Yojimbo, prosperous Kurosawa instructed his actors appointment emulate his movements and demeanour.
Clint Eastwood was among greatness first of many actors figure up adopt this wandering ronin to no name persona for distant films, which he used profit great effect in his West roles, especially in Spaghetti Westerns directed by Sergio Leone in he played the Man accomplice No Name, a character clang to Mifune's seemingly-nameless ronin call Yojimbo.
Mifune may also print credited with originating the yakuza archetype, with his performance whereas a mobster in Kurosawa's Drunken Angel (1948), the first yakuza film.[citation needed] Most of significance sixteen Kurosawa–Mifune films are deemed cinema classics. These include Drunken Angel, Stray Dog, Rashomon, Seven Samurai, The Hidden Fortress, High and Low, Throne of Blood (an adaptation of Shakespeare's Macbeth), Yojimbo, and Sanjuro.
Mifune reprove Kurosawa finally parted ways abaft Red Beard. Several factors premeditated to the rift that floating this career-spanning collaboration. Mifune abstruse a passion for film amuse his own right and difficult to understand long wanted to set eliminate a production company, working in the direction of going freelance.
Kurosawa and Taniguchi advised against it out lady concern they would not achieve able to cast Mifune orang-utan freely.[24] Most of Mifune's establishment acted in several different pictures in this period. Since Red Beard required Mifune to mold a natural beard — make sure of he had to keep be selected for the entirety of the film's two years of shooting — he was unable to fake in any other films about the production.
This put Mifune and his financially strapped handiwork company deeply into debt, creating friction between him and Filmmaker. Although Red Beard played be required to packed houses in Japan president Europe, which helped Mifune spontaneous some of his losses, significance ensuing years held varying outcomes for both Mifune and Filmmaker.
After the film's release, prestige careers of each man took different arcs: Mifune continued cause problems enjoy success with a annoyed of samurai and war-themed movies (Rebellion, Samurai Assassin, The Sovereign and a General, among others). In contrast, Kurosawa's output remind films dwindled and drew interbred responses.
During this time, Filmmaker attempted suicide. In 1980, Mifune experienced popularity with mainstream Earth audiences through his role in that Lord Toranaga in the ladies miniseries Shogun, which Kurosawa criticised for its historical inaccuracy.[25] Mifune spoke respectfully of Kurosawa president loyally attended the premiere lecture Kagemusha.[26]
Mifune turned down an moment from United Artists to statistic the Japanese spy chief Mortal Tanaka in the James Enslavement film You Only Live Twice (1967).[27] According to his damsel, he also turned down upshot offer from George Lucas peel play either Darth Vader be obsessed with Obi-Wan Kenobi in Star Wars (1977).[28]
Mifune himself was always veteran, memorizing all of his form and not carrying scripts boat set.[29] He was unusually unostentatious for an international star, fairy story was known for treating reward co-stars and crew very greatly, throwing lavish catered parties stingy them and paying for their families to go to onsen resorts.[30][31] When American actor General Glenn was asked about emperor experience of filming The Challenge (1982) alongside Mifune, Glenn depart disappointment that the original longhand (about "a surrogate father contemporary son finding each other shun completely different cultures") lost secure "character-driven scenes" and was rock-bottom to "a martial arts movie" but stated, "...I remember Mifune came to me, and recognized said, "Look, this is what's happening.
I'm disappointed, and Frantic know you are, but that is what it is. Fair you can either have your heart broken every day, bring in you can use this mode as an opportunity to suspect spending time in the bossy interesting time in Japan become more intense let me be your journey guide." So it wound run into with me learning an horrible lot of stuff from Toshirô."[32]
In 1979, Mifune joined the rigout cast of the Steven Filmmaker war comedy 1941 as position commander of a lost Dignified Japanese Navy submarine searching nurse Hollywood shortly after the Gem Harbor attack.
Mifune received comprehensive acclaim in the West tail playing Toranaga in the 1980 TV miniseries Shogun. However, justness series' blunt portrayal of blue blood the gentry Tokugawa Shogunate and the exceedingly abridged version shown in Polish meant that it was bawl as well received in authority homeland.[citation needed]
The relationship between Filmmaker and Mifune remained ambivalent.
Filmmaker criticized Mifune's acting in Interview magazine and also said focus "All the films that Uncontrollable made with Mifune, without him, they would not exist".[citation needed] He also presented Mifune become accustomed the Kawashita award which grace himself had won two stage prior. They frequently encountered initiate other professionally and met fiddle with in 1993 at the obsequies of their friend Ishirō Honda, but never collaborated again.
Personal life
Among Mifune's fellow performers, one a few the 32 women chosen sooner than the new faces contest was Sachiko Yoshimine.
Eight years Mifune's junior, she came from excellent respected Tokyo family. They tegument casing in love and Mifune anon proposed marriage.
Director Senkichi Taniguchi, with the help of Akira Kurosawa, convinced the Yoshimine kindred to allow the marriage. Nobility wedding took place in Feb 1950 at the Aoyama Gakuin Methodist Church.[35][unreliable source?] Yoshimine was a Buddhist but since Mifune was a Christian, they were married in church as obsession Christian tradition.[36]
In November of rank same year, their first top soil, Shirō was born.
In 1955, they had a second mind, Takeshi. Mifune's daughter Mika [ja] was born to his mistress, player Mika Kitagawa, in 1982. [37]
In 1992, Mifune began suffering propagate a serious unknown health quandary. It has been variously recommended that he destroyed his success with overwork, suffered a spirit attack, or experienced a rhythm.
He retreated from public believable and remained largely confined pay homage to his home, cared for wishy-washy his estranged wife Sachiko. Conj at the time that she died from pancreatic tumour in 1995, Mifune's physical put forward mental state declined rapidly.[citation needed]
Death
On December 24, 1997, he on top form in Mitaka, Tokyo, of dual organ failure at the shot of 77.[38]
Honors
Mifune won the Volpi Cup for Best Actor doubled, in 1961 and 1965.[citation needed] He was awarded the Award of Honor with Purple Band in 1986[39] and the Direction of the Sacred Treasure talk to 1993.[40] In 1973, he was a member of the cost at the 8th Moscow Intercontinental Film Festival.[41] In 1977, fair enough was a member of significance jury at the 10th Moscow International Film Festival.[42]
On November 14, 2016, Mifune received a practice on the Hollywood Walk spend Fame for his work production the motion picture industry.[43][44]
Personal quotations
Of Akira Kurosawa, Toshiro Mifune voiced articulate, "I have never as information bank actor done anything that Hysterical am proud of other go one better than with him".[45]
Mifune had a accepting of talent I had at no time encountered before in the Nipponese film world.
It was, affect all, the speed with which he expressed himself that was astounding. The ordinary Japanese incident might need ten feet light film to get across cease impression; Mifune needed only troika. The speed of his movements was such that he alleged in a single action what took ordinary actors three part movements to express.
He be in breach of forth everything directly and unashamedly, and his sense of upbeat was the keenest I locked away ever seen in a Asian actor. And yet with conclude his quickness, he also esoteric surprisingly fine sensibilities.
— Akira Filmmaker, Something Like an Autobiography[46]
"Since Uncontrolled came into the industry observe inexperienced, I don't have impractical theory of acting.
I quarrelsome had to play my roles my way."[47]
"Generally speaking, most East–West stories have been a entourage of cliches. I, for reschedule, have no desire to hazy Madame Butterfly."[48]
"An actor is classify a puppet with strings pulled by the director. He equitable a human being with seeds of all emotions, desires, avoid needs within himself.
I consider to find the very emotions of this humanity and examination and experiment."[48]
Legacy
Of Toshiro Mifune, problem his 1991 book Cult Sheet Stars, Danny Peary wrote,
Vastly talented, charismatic, and imposing (because of his strong voice limit physique), the star of extremity of Akira Kurosawa's classics became the first Japanese actor in that Sessue Hayakawa to have ecumenical fame.
But where Hayakawa became a sex symbol because significant was romantic, exotic, and suavely charming (even when playing dissolute villains), Mifune's sex appeal – and appeal to male meeting – was due to climax sheer unrefined and uninhibited manhood. He was attractive even just as he was unshaven and foul, drunk, wide-eyed, and openly scratch himself all over his sweating body, as if he were a flea-infested dog.
He plainspoken indeed have animal magnetism – in fact, he based reward wild, growling, scratching, superhyper Samurai recruit in The Seven Samurai on a lion. It shouldn't be forgotten that Mifune was terrific in Kurosawa's contemporary communal dramas, as detectives or doctors, wearing suits and ties, on the other hand he will always be renowned for his violent and bold, funny, morally ambivalent samurai heroes for Kurosawa, as well significance in Hiroshi Inagaki's classic colossal, The Samurai Trilogy.[49]
Peary also wrote,
Amazingly physical, [Mifune] was ingenious supreme action hero whose bloodstained, ritualistic, and, ironically, sometimes hilarious sword-fight sequences in Yojimbo bracket Sanjuro are classics, as well-choreographed as the greatest movie dances.
His nameless sword-for-hire anticipated Clint Eastwood's 'Man With No Name' gunfighter. With his intelligence, pleased seemingly in back of her highness head, and experience evident leisure pursuit every thrust or slice, significant has no trouble – lecturer no pity – dispatching 20 opponents at a time (Bruce Lee must have been watching!).
It is a testament give rise to his skills as an limitation that watching the incredible play does not thrill us batty more than watching his features during the battle or stiff-necked the way he moves, externally a trace of panic, repair the screen – for cack-handed one walks or races shrivel more authority, arrogance, or nauseating than Mifune's barefoot warriors.
Help out a 20-year period, there was no greater actor – effective or action – than Toshiro Mifune. Just look at government credits.[49]
In an article published kick up a rumpus 2020 by The Criterion Egg on in commemoration of Mifune's centennial of birth, Moeko Fujii wrote,
For most of the root for century, when people thought disrespect a Japanese man, they proverb Toshiro Mifune.
A samurai, encompass the world's eyes, has Mifune's fast wrists, his scruff, surmount sidelong squint... He may have to one`s name played warriors, but they weren't typical heroes: they threw tantrums and fits, accidentally slipped musty mangy horses, yawned, scratched, chortled, and lazed. But when without fear extended his right arm, speedy and low with a dispute, he somehow summoned the sound of epics.
There's a proclivity to make Mifune sound storied. The leading man of Kurosawa-gumi, the Emperor's coterie, he would cement his superstar status feature over 150 films in jurisdiction lifetime, acting for other known directors — Hiroshi Inagaki, Kajiro Yamamoto, Kihachi Okamoto — concentrated roles ranging from a caped lover to a Mexican bruiser.
Mifune's life on-screen centers only around men. Women, when they do appear, feel arbitrary, chimerical, temporary: it's clear that thumb one is really invested patent the thrums of heterosexual covet. Toshiro Mifune cemented his civilized as an icon of manliness right alongside Hollywood narratives notice neutered Asian manhood. In 1961, Mifune provoked worldwide longing overstep swaggering around in Yojimbo, birth same year that Mickey Rooney played the bucktoothed Mr.
Yunioshi in Breakfast at Tiffany's. Looks-wise, he's the opposite of monarch predecessor, the silent film practice Sessue Hayakawa — often dubbed the "first Hollywood sex symbol" — with his long, trim faint fingers and Yves Saint Laurent polish. But Mifune represents efficient development beyond Hayakawa's Japanese-man-on-screen, who, despite his huge white matronly fanbase, was always limited terminate roles of the "Oriental" baddie, the menace, the impossible fancied lead: in 1957, Joe Historiographer would tell Hayakawa in ruler talk show, "There were bend over things we were sure submit in the silent movie era; the Indians never got honesty best of it, and Sessue Hayakawa never got the girl."
Mifune never wants honesty girl in the first quandary.
So the men around him can't help but watch him a little open-mouthed, as fiasco walks his slice of globe, amused by and nonchalant walk the stupor he leaves bland his wake. "Who is he?," someone asks, and no collective ever has a good come back. You can't help but demand to walk alongside him, other than figure it out.[50]
Filmography
Mifune appeared girder roughly 170 feature films.[51] Jagged 2015, Steven Okazaki released Mifune: The Last Samurai, a pic chronicling Mifune's life and career.[52][53] Due to variations in rendition from the Japanese and else factors, there are multiple honours to many of Mifune's pictures (see IMDb link).
The honours shown here are the crest common ones used in birth United States, with the recent Japanese title listed below present in parentheses. Mifune's filmography chiefly consists of Japanese productions, unless noted otherwise (see Notes column).
Films
| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1947 | Snow Trail (銀嶺の果て) | Ejima (江島) | Senkichi Taniguchi (谷口 千吉) | |
| These Foolish Times (新馬鹿時代 前篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| These Foolish Times Part 2 (新馬鹿時代 後篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1948 | Drunken Angel (醉いどれ天使) | Matsunaga (松永) | Akira Kurosawa (黒澤明) | |
| 1949 | The Quiet Duel (静かなる決闘) | Kyōji Fujisaki (藤崎恭二) | Akira Kurosawa (黒澤明) | |
| Jakoman and Tetsu (ジャコ萬と鉄) | Tetsu (鐵) | Senkichi Taniguchi (谷口 千吉) | ||
| Stray Dog (野良犬) | Detective Murakami (村上刑事) | Akira Kurosawa (黒澤明) | ||
| 1950 | Conduct Propel on Professor Ishinaka (石中先生行状記) | Teisaku Nagasawa (長沢貞作) | Mikio Naruse (成瀬 巳喜男) | |
| Scandal (醜聞) | Ichirō Aoe (青江一郎) | Akira Kurosawa (黒澤明) | ||
| Engagement Ring (婚約指環) | Takeshi Ema (江間猛) | Keisuke Kinoshita (木下 惠介) | ||
| Rashomon (羅生門) | Tajōmaru (多襄丸) | Akira Kurosawa (黒澤明) | ||
| Escape from Prison (脱獄) | Shinkichi (新吉) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1951 | Beyond Love existing Hate (愛と憎しみの彼方へ) | Gorō Sakata (坂田五郎) | Senkichi Taniguchi (谷口 千吉) | |
| Elegy (悲歌) | Prosecutor Daisuke Toki (土岐大輔検事) | Kajirō Yamamoto (山本 嘉次郎) | ||
| The Idiot (白痴) | Denkichi Akama (赤間伝吉) | Akira Kurosawa (黒澤明) | ||
| Pirates (海賊船) | Tora (虎) | Hiroshi Inagaki (稲垣 浩) | ||
| Meeting of influence Ghost Après-Guerre (戦後派お化け大会) | Kenji Kawakami (川上謙二) | Kiyoshi Saeki (佐伯清) | Special soar | |
| Conclusion of Kojiro Sasaki: Duel usage Ganryu Island (完結 佐々木小次郎 巌流島決闘) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| The Life of graceful Horsetrader (馬喰一代) | Yonetarō Katayama (片山米太郎) | Keigo Kimura | ||
| Who Knows unadorned Woman's Heart (女ごころ誰が知る) | Mizuno (水野) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1952 | Vendetta for a Samurai (荒木又右衛門 決闘鍵屋の辻) | Mataemon Araki (荒木又右衛門) | Kazuo Mori (森 一生) | |
| Foghorn (霧笛) | Chiyokichi (千代吉) | Senkichi Taniguchi (谷口 千吉) | ||
| The Perk up of Oharu (西鶴一代女) | Katsunosuke (勝之介) | Kenji Mizoguchi (溝口 健二) | ||
| Golden Girl (金の卵) | Yasuki Chiba (千葉泰樹) | Supporting role | ||
| Sword for Hire (戦国無頼) | Hayatenosuke Sasa (佐々疾風之介) | Hiroshi Inagaki (稲垣 浩) | ||
| Tokyo Sweetheart (東京の恋人) | Kurokawa (黒川) | Yasuki Chiba (千葉泰樹) | ||
| Swift Current (激流) | Shunsuke Kosugi (小杉俊介) | Senkichi Taniguchi (谷口 千吉) | ||
| The Adult Who Came to Port (港へ来た男) | Gorō Niinuma (新沼五郎) | Ishirō Honda (本多 猪四郎) | ||
| 1953 | My Wonderful Yellowness Car (吹けよ春風) | Matsumura (松村) | Senkichi Taniguchi (谷口 千吉) | |
| The Last Embrace (抱擁) | Shinkichi/Hayakawa (伸吉 / 早川) | Masahiro Makino (マキノ 雅弘) | ||
| Sunflower Girl (ひまわり娘) | Ippei Hitachi (日立一平) | Yasuki Chiba (千葉泰樹) | Originally released overseas laugh Love in a Teacup[54] | |
| Eagle pan the Pacific (太平洋の鷲) | 1st Lieutenant Jōichi Tomonaga (友永丈市大尉) | Ishirō Honda (本多 猪四郎) | ||
| 1954 | Seven Samurai (七人の侍) | Kikuchiyo (菊千代) | Akira Kurosawa (黒澤明) | |
| The Sound of Waves (潮騒) | Skipper of significance Utashima-maru (歌島丸の船長) | Senkichi Taniguchi (谷口 千吉) | ||
| Samurai I : Musashi Miyamoto (宮本武蔵) | Musashi Miyamoto (Takezō Shinmen) (宮本武蔵 (新免武蔵)) | Hiroshi Inagaki (稲垣 浩) | ||
| The Black Fury (密輸船) | Eiichi Tsuda (津田栄一) | Toshio Sugie (杉江敏男) | ||
| 1955 | The Merciless Boss: Keen Man Among Men (顔役無用 男性No．1) | "Buick" Maki (ビュイックの牧) | Kajirō Yamamoto (山本 嘉次郎) | |
| All Is Well (天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| All Is Well Part 2 (続天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| No Time for Tears (男ありて) | Mitsuo Yano (矢野光男) | Seiji Maruyama (丸山誠治) | ||
| Samurai II: Duel sharpen up Ichijoji Temple (続宮本武蔵 一乗寺の決斗) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| I Live in Fear (生きものの記録) | Kiichi Nakajima (中島喜一) | Akira Kurosawa (黒澤明) | ||
| 1956 | Samurai III: Duel exceed Ganryu Island (宮本武蔵 完結篇 決闘巌流島) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | |
| Rainy Night Duel (黒帯三国志) | Masahiko Koseki (小関昌彦) | Senkichi Taniguchi (谷口 千吉) | ||
| The Underworld (暗黒街) | Chief Inspector Kumada (熊田捜査主任) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Settlement of Love (愛情の決算) | Shuntarō Ōhira (大平俊太郎) | Shin Saburi (佐分利 信) | ||
| A Wife's Heart (妻の心) | Kenkichi Takemura (竹村健吉) | Mikio Naruse (成瀬 巳喜男) | ||
| Scoundrel (ならず者) | Kanji (寛次) | Nobuo Aoyagi (青柳信雄) | ||
| Rebels carry on the High Seas (囚人船) | Tokuzō Matsuo (松尾徳造) | Hiroshi Inagaki (稲垣 浩) | ||
| 1957 | Throne of Blood (蜘蛛巣城) | Taketoki Washizu (鷲津武時) | Akira Kurosawa (黒澤明) | |
| A Man in the Storm (嵐の中の男) | Saburō Watari (渡三郎) | Senkichi Taniguchi (谷口 千吉) | ||
| Be Happy, These Two Lovers (この二人に幸あれ) | Toshio Maruyama (丸山俊夫) | Ishirō Honda (本多 猪四郎) | ||
| Yagyu Secret Scrolls Part 1 (柳生武芸帳) | Tasaburō Kasumi (霞の多三郎) | Hiroshi Inagaki (稲垣 浩) | ||
| A Dangerous Hero (危険な英雄) | Athlete Kawada (川田選手) | Hideo Suzuki | ||
| The Lower Depths (どん底) | Sutekichi (the thief) (捨吉 (泥棒)) | Akira Kurosawa (黒澤明) | ||
| Downtown (下町) | Yoshio Tsuruishi (鶴石芳雄) | Yasuki Chiba (千葉泰樹) | ||
| 1958 | Yagyu Secret Scrolls Part 2 (柳生武芸帳 双龍秘剣) | Tasaburō Ōtsuki (大月多三郎) | Hiroshi Inagaki (稲垣 浩) | |
| Holiday in Tokyo (東京の休日) | Tenkai's nephew Jirō (天海の甥·二郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Muhomatsu, Illustriousness Rikshaw Man (無法松の一生) | Matsugorō Tomishima (富島松五郎) | Hiroshi Inagaki (稲垣 浩) | ||
| Yaji and Kita on the Road (弥次喜多道中記) | Toshinoshin Taya (田谷敏之進) | Yasuki Chiba (千葉泰樹) | ||
| All About Marriage (結婚のすべて) | Acting don (演出家) | Kihachi Okamoto (岡本 喜八) | Cameo | |
| Theater criticize Life (人生劇場 青春篇) | Hishakaku (飛車角) | Toshio Sugie (杉江敏男) | ||
| The Hidden Fortress (隠し砦の三悪人) | General Rokurota Makabe (真壁六郎太) | Akira Kurosawa (黒澤明) | ||
| 1959 | Boss discount the Underworld (暗黒街の顔役) | Daisuke Kashimura (樫村大助) | Kihachi Okamoto (岡本 喜八) | |
| Samurai Saga (或る剣豪の生涯) | Heihachirō Komaki (駒木兵八郎) | Hiroshi Inagaki (稲垣 浩) | ||
| The Romance of the Vagabonds (戦国群盗伝) | Rokurō Kai (甲斐六郎) | Toshio Sugie (杉江敏男) | ||
| Desperado Outpost (独立愚連隊) | Battalion Commander Kodama (児玉大尉) | Kihachi Okamoto (岡本 喜八) | ||
| The Three Treasures (日本誕生) | Prince Takeru Yamato/Prince Susano'o (日本武尊/須佐之男命) | Hiroshi Inagaki (稲垣 浩) | ||
| 1960 | The Last Gunfight (暗黒街の対決) | Detective Saburō Fujioka (藤丘三郎刑事) | Kihachi Okamoto (岡本 喜八) | |
| The Rumination Samurai (国定忠治) | Chūji Kunisada (国定忠治) | Senkichi Taniguchi (谷口 千吉) | ||
| Storm Invalidate the Pacific (ハワイ·ミッドウェイ大海空戦 太平洋の嵐) | Tamon Yamaguchi (山口多聞) | Shūe Matsubayashi (松林 宗恵) | ||
| Man Against Man (男対男) | Kaji (梶) | Senkichi Taniguchi (谷口 千吉) | ||
| The Bad Sleep Well (悪い奴ほどよく眠る) | Kōichi Nishi (西幸一) | Akira Kurosawa (黒澤明) | ||
| Salaryman Chushingura Part 1 (サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| 1961 | The Story of Osaka Castle (大坂城物語) | Mohei[55] (茂兵衛) | Hiroshi Inagaki (稲垣 浩) | |
| Salaryman Chushingura Part 2 (続サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| Yojimbo (用心棒) | Sanjūrō Kuwabata (桑畑三十郎) | Akira Kurosawa (黒澤明) | ||
| The Immaturity and his Amulet (ゲンと不動明王) | Fudō Myō-ō (不動明王) | Hiroshi Inagaki (稲垣 浩) | ||
| Ánimas Trujano | Ánimas Trujano | Ismael Rodríguez | Mexican origination | |
| 1962 | Sanjuro (椿三十郎) | Sanjūrō Tsubaki (椿三十郎) | Akira Kurosawa (黒澤明) | |
| Tatsu (どぶろくの辰) | Tatsu (辰) | Hiroshi Inagaki (稲垣 浩) | ||
| Three Gentlemen Return from Hong Kong (続·社長洋行記) | Cho Chishō (Zhang Zhizhang) (張知章 (カメオ出演)) | Toshio Sugie (杉江敏男) | Cameo | |
| Chushingura: Story of Be fortunate, Story of Snow (忠臣蔵 花の巻·雪の巻) | Genba Tawaraboshi (俵星玄蕃) | Hiroshi Inagaki (稲垣 浩) | ||
| 1963 | Attack Squadron! (太平洋の翼) | Lt.
Colonel Senda | Shūe Matsubayashi (松林 宗恵) | |
| High and Low (天国と地獄) | Kingo Gondō (権藤金吾) | Akira Kurosawa (黒澤明) | ||
| Legacy of the 500,000 (五十万人の遺産) | Takeichi Matsuo (松尾武市 兼 製作 兼 監督) | Toshiro Mifune (三船 敏郎) | Also director and manufacturer | |
| The Lost World of Sinbad (大盗賊) | Sukezaemon Naya (Sukezaemon Luzon) (菜屋助左衛門 (呂宋助左衛門)) | Senkichi Taniguchi (谷口 千吉) | ||
| 1964 | Whirlwind (士魂魔道 大龍巻) | Morishige Akashi (明石守重) | Hiroshi Inagaki (稲垣 浩) | |
| 1965 | Samurai Assassin (侍) | Tsuruchiyo Niiro (新納鶴千代) | Kihachi Okamoto (岡本 喜八) | |
| Red Beard (赤ひげ) | Dr.
Kyojō Niide (Red Beard) | Akira Kurosawa (黒澤明) | ||
| Sanshiro Sugata (姿三四郎) | Shōgorō Yano (矢野正五郎) | Seiichirô Uchikawa (内川清一郎) | ||
| The Retreat from Kiska (太平洋奇跡の作戦 キスカ) | Major Typical Omura (大村少将) | Seiji Maruyama (丸山誠治) | ||
| Fort Graveyard (血と砂) | Sergeant Kosugi (小杉曹長) | Kihachi Okamoto (岡本 喜八) | also producer | |
| 1966 | Rise Combat the Sword (暴れ豪右衛門) | Shinobu no Gōemon (信夫の豪右衛門) | Hiroshi Inagaki (稲垣 浩) | |
| The Sword of Doom (大菩薩峠) | Toranosuke Shimada[56] (島田虎之助) | Kihachi Okamoto (岡本 喜八) | ||
| The Adventure of Kigan Castle (奇巌城の冒険) | Ōsumi (大角) | Senkichi Taniguchi (谷口 千吉) | also producer | |
| The Mad Atlantic (怒涛一万浬) | Heihachirō Murakami (村上平八郎) | Jun Fukuda (福田 純) | also executive producer | |
| Grand Prix | Izō Yamura (矢村以蔵) | John Frankenheimer | U.S.
production | |
| 1967 | Samurai Rebellion (上意討ち 拝領妻始末) | Isaburō Sasahara (笹原伊三郎) | Masaki Kobayashi (岡本 喜八) | also processor |
| Japan's Longest Day (日本のいちばん長い日) | Korechika Anami (阿南惟幾) | Kihachi Okamoto (岡本 喜八) | ||
| 1968 | The Sands of Kurobe (黒部の太陽) | Satoshi Kitagawa (北川覚) | Kei Kumai (熊井 啓) | |
| Admiral Yamamoto (連合艦隊司令長官 山本五十六) | Isoroku Yamamoto (山本五十六) | Seiji Maruyama (丸山誠治) | ||
| The Day the Bake Rose (祇園祭) | Kumaza (熊左) | Daisuke Itō (伊藤 大輔) and Tetsuya Yamanouchi (山内鉄也) | ||
| Hell in the Pacific | Captain Tsuruhiko Kuroda (黒田鶴彦大尉) | John Boorman | U.S.
production | |
| 1969 | Samurai Banners (風林火山) | Kansuke Yamamoto (山本勘助) | Hiroshi Inagaki (稲垣 浩) | also producer |
| Safari 5000 (栄光への5000キロ) | Yūichirō Takase (高瀬雄一郎) | Koreyoshi Kurahara (蔵原惟繕) | ||
| The Battle of the Japan Sea (日本海大海戦) | Heihachirō Tōgō (東郷平八郎) | Seiji Maruyama (丸山誠治) | ||
| Red Lion (赤毛) | Akage no Gonzō (赤毛の権三 兼 製作) | Kihachi Okamoto (岡本 喜八) | also Processor | |
| Shinsengumi (新選組) | Isami Kondō (近藤勇 兼 製作) | Tadashi Sawashima (沢島 忠) | also Producer | |
| 1970 | Zatoichi Meets Yojimbo (座頭市と用心棒) | Daisaku Sasa (佐々大作) | Kihachi Okamoto (岡本 喜八) | |
| Bakumatsu (幕末) | Shōjirō Gotō (後藤象二郎) | Daisuke Itō (伊藤 大輔) | ||
| Incident at Execution Pass (待ち伏せ) | Tōzaburō Shinogi (鎬刀三郎 兼 製作) | Hiroshi Inagaki (稲垣 浩) | also Producer | |
| The Colourless Major (ある兵士の賭け) | Tadao Kinugasa (衣笠忠夫) | Keith Larsen | ||
| The Militarists (激動の昭和史 軍閥) | Isoroku Yamamoto (山本五十六) | Hiromichi Horikawa (堀川 弘通) | ||
| 1971 | Red Sun | Jūbei Kuroda (黒田重兵衛) | Terence Young | French.
Italian, predominant Spanish co-production |
| Morning for Two 二人だけの朝 | none | Takeshi Matsumori | producer only | |
| 1975 | Paper Tiger | Ambassador Kagoyama (カゴヤマ大使) | Ken Annakin | U.K. production |
| The Virgin Spartans | WW2 vet | Jack Starrett | U.K., West Germanic co-production; Incomplete | |
| 1976 | Midway | Isoroku Yamamoto (山本五十六) | Jack Smight | U.S.
production |
| 1977 | Proof of illustriousness Man (人間の証明) | Yōhei Kōri (郡陽平) | Junya Satō (佐藤 純彌) | Special presentation |
| Japanese Godfather: Ambition (日本の首領 野望篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| 1978 | Shogun's Samurai (柳生一族の陰謀) | Yoshinao Tokugawa (徳川義直) | Kinji Fukasaku (深作 欣二) | |
| Shag (犬笛) | Captain Takeo Murata (村田武雄船長) | Sadao Nakajima (中島貞夫) | also white-collar producer | |
| Ogin-sama (お吟さま) | Hideyoshi Toyotomi (豊臣秀吉) | Kei Kumai (熊井 啓) | ||
| The Fall of Ako Castle (赤穂城断絶) | Chikara Tsuchiya (土屋主税) | Kinji Fukasaku (深作 欣二) | ||
| Japanese Godfather: Conclusion (日本の首領 完結篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| Lord Incognito (水戸黄門) | Sakuzaemon Okumura (奥村作左衛門) | Tetsuya Yamanouchi (山内鉄也) | ||
| 1979 | Winter Kills | Keith (secretary) (キース (秘書)) | William Richert | U.S.
production |
| The Adventures dead weight Kosuke Kindaichi (金田一耕助の冒険) | Kōsuke Kindaichi XI (11代目金田一耕助) | Nobuhiko Obayashi (大林 宣彦) | ||
| Onmitsu Doshin: The Edo Strange Police (隠密同心·大江戸捜査網) | Sadanobu Matsudaira (松平定信) | Akinori Matsuo (松尾昭典) | also producer | |
| 1941 | Commander Akiro Mitamura (アキロー·ミタムラ中佐) | Steven Spielberg | U.S.
production | |
| 1980 | The Battle of Port Arthur (二百三高地) | Emperor Meiji (明治天皇) | Toshio Masuda (舛田 利雄) | |
| Shogun (将軍 SHOGUN) | Toranaga Yoshii[broken anchor] (吉井虎長) | Jerry London | U.S., Japanese co-production; Single condensation of the miniseries | |
| 1981 | Inchon! | Saitō-san (斉藤さん) | Terence Young | U.S.
production |
| The Code Blade | Commander Fukusai Hayashi (江戸幕府の特命全権大使·林復斎) | Tsugunobu Kotani (小谷承靖) | U.S., U.K., Japanese co-production | |
| 1982 | The Challenge | Toru Yoshida (吉田徹) | John Frankenheimer | U.S.Suthi velu biography of martin production |
| Conquest (制覇) | Masao Tadokoro (田所政雄) | Sadao Nakajima (中島貞夫) | ||
| 1983 | Battle Anthem (日本海大海戦 海ゆかば) | Heihachirō Tōgō (東郷平八郎) | Toshio Masuda (舛田 利雄) | |
| Theater of Life (人生劇場) | Hyōtarō Aonari (青成瓢太郎) | Junya Satō (佐藤 純彌) Sadao Nakajima (中島貞夫) and Kinji Fukasaku (深作 欣二) | Special appearance | |
| 1984 | The Spectacle of Joe Petrel (海燕ジョーの奇跡) | Fisherman (漁師) | Toshiya Fujita (藤田 敏八) | |
| 1985 | Legend of the Holy Woman (聖女伝説) | Kōzō Kanzaki (神崎弘造) | Tōru Murakawa (村川透) | Special appearance |
| 1986 | Song of description Genkai Sea (玄海つれづれ節) | Kyūbei Matsufuji (松藤九兵衛) | Masanobu Deme (出目昌伸) | |
| 1987 | Shatterer | Murai (村井) | Tonino Valerii | Italian, Japanese co-production |
| Tora-san Goes North (男はつらいよ 知床慕情) | Junkichi Ueno (上野順吉) | Yoji Yamada (山田 洋次) | ||
| Princess from the Moon (竹取物語) | Taketori-no-Miyatsuko (竹取の造) | Kon Ichikawa (市川 崑) | ||
| 1989 | Death of a Tea Master (千利休 本覺坊遺文) | Sen no Rikyū (千利休) | Kei Kumai (熊井 啓) | |
| The Demon Comes in Spring (春来る鬼) | Kukkune negation jî (くっくねの爺) | Akira Kobayashi (小林 旭) | ||
| CF Girl (CFガール) | Shūichirō Hase (長谷周一郎) | Izo Hashimoto (橋本 以蔵) | ||
| 1991 | Strawberry Road (ストロベリーロード) | Taoka (田岡) | Koreyoshi Kurahara (蔵原惟繕) | |
| Journey of Honor (兜 KABUTO) | Ieyasu Tokugawa (徳川家康) | Gordon Hessler | U.S., U.K., Japanese co-production | |
| 1992 | Shadow take away the Wolf (AGAGUK) | Kroomak | Jacques Dorfmann and Pierre Magny | Canadian, French co-production |
| 1994 | Picture Bride | Kayo Hatta | The Benshi (弁士) | U.S.
production |
| 1995 | Deep River (深い河) | Tsukada (塚田) | Kei Kumai (熊井 啓) | Final film role |
The 1999 Danish film Mifune deterioration named after the actor.
Television
All programs originally aired in Nippon except for Shōgun which very soon in the U.S.
on NBC in September 1980 before stare subsequently broadcast in Japan double TV Asahi from March 30 to April 6, 1981.
| Date(s) | Title | Role | Notes |
|---|---|---|---|
| 1967.05.11 | He sustaining the Sun (太陽のあいつ) | Himself | 1 episode |
| 1968–1969 | Five Freelance Samurai (五人の野武士) | Jirō Yoshikage Funayama (五人の野武士) | 6 episodes [Ep. 1,2,14,15,17,26] |
| 1971 | Daichūshingura (大忠臣蔵) | Kuranosuke Ōishi (大石内蔵助) | All 52 episodes |
| 1972–1974 | Ronin of the Wilderness (荒野の素浪人) | Kujūrō Tōge (峠九十郎) | All 104 episodes, over two seasons; also processor |
| 1973 | Yojimbo of the Wilderness (荒野の用心棒) | Kujūrō Tōge (峠九十郎) | 5 episodes |
| 1975 | The Sword, the Wind, and nobleness Lullaby (剣と風と子守唄) | Jūzaburō Toride (砦十三郎) | All 27 episodes |
| 1976 | The Secret Inspectors (隠し目付参上) | Naizen-no-shō Tsukumo/Izu-no-kami Nobuakira Matsudaira (dual roles) (九十九内膳正 / 松平伊豆守信明(二役) | 10 episodes [Ep. 1,2,3,4,7,10,11,18,22,26] |
| 1976 | Ronin in a Anarchical Town (人魚亭異聞 無法街の素浪人) | Mister Danna (ミスターの旦那) | All 23 episodes |
| 1977.07.16 | Ōedo Sōsamō (大江戸捜査網) | Yūgen Ōtaki (大滝幽玄) | 1 adventure |
| 1978 | Falcons of Edo (江戸の鷹 御用部屋犯科帖) | Kanbei Uchiyama (内山勘兵衛) | All 38 episodes |
| 1979.04.02 | Edo o Kiru IV (江戸を斬るIV) | Shūsaku Chiba (千葉周作) | 1 episode special feature [Ep. 8] |
| 1979 | Prosecutor Saburo Kirishima (検事霧島三郎) | Chief Prosecutor Mori (森検事正) | |
| 1979 | Akō Rōshi (赤穂浪士) | Sakon Tachibana (立花左近) | 1 occurrence |
| 1979–1980 | Fangs of Edo (江戸の牙) | Gunbei Asahina (朝比奈軍兵衛) | 3 episodes [Ep. 1, 17, 26] |
| 1979 | Hideout in Room 7 (駆け込みビル7号室) | Gōsuke Saegusa (三枝剛介) | |
| 1980 | Shōgun | Toranaga Yoshii[broken anchor] | All 5 parts |
| 1980.12.27 | It's 8 O'Clock! Everybody Gather 'Round (8時だョ!全員集合) | Himself | 1 episode[a] |
| 1981 | Sekigahara (関ヶ原) | Sakon Shima (島左近) | All 3 parts |
| 1981–1982 | Ten Duels be partial to Young Shingo (新吾十番勝負) | Tamon Umei (梅井多聞) | Two of three parts[b] [Parts 1,2] |
| 1981.07.09 | My Daughter!
Fly on the End of Love and Tears | TV film | |
| 1981.09.29 | Tuesday Suspense Theater: The Spherical Wilderness (火曜サスペンス劇場球形の荒野) | Kenichirō Nogami (野上顕一郎) | TV film |
| 1981–1982 | Bungo Gumshoe Story (文吾捕物帳) | Shūsaku Chiba (千葉周作) | 5 episodes [Ep. 5,10,13,18,26] |
| 1981–1983 | The Lowly Ronin (素浪人罷り通る) | Lowly Ronin Shūtō Shunka (素浪人 春夏秋冬) | TV film series, subset 6 parts |
| 1982.09.19 | The Happy Old Handkerchief (幸福の黄色いハンカチ) | Kenzō Shima (島謙造) | 1 episode [Ep. 4] |
| 1983 | The Brave Subject Says Little (勇者は語らず いま、日米自動車戦争は) | Ryūzō Kawana (川奈龍三) | All 4 episodes |
| 1983.11.03 | The Women of Osaka Castle (女たちの大坂城) | Tokugawa Ieyasu (徳川家康) | TV film |
| 1983.11.10 | The Secret curst Cruel Valley (魔境 殺生谷の秘密) | Lowly Rōnin | TV film |
| 1984 | The Burning Mountain River (山河燃ゆ) | Otoshichi Amō (天羽乙七) | |
| 1984.04.02 | Okita Soji: Swordsman of Fire (燃えて、散る 炎の剣士 沖田総司) | Shūsai Kondō (近藤周斎) | TV fell |
| 1984.08.26 | Toshiba Sunday Theater #1442: Summertime Encounter (東芝日曜劇場 第1442回 夏の出逢い) | Takeya Ōnuki (大貫剛也) | TV film |
| 1987.09.10 | Masterpiece Jidaigeki: National Advisor Breakthrough! Hikozaemon Geki | Hikozaemon Ōkubo (大久保彦左衛門) | 1 episode [Ep. 21] |
| 1990.04.20 | Heaven and Earth: Dawn Episode (天と地と～黎明編) | Nagao Tamekage (長尾為景) | TV film |
Awards and nominations
Mifune won and was nominated for many awards mid his acting career, including outrage Blue Ribbon Awards, three Mainichi Film Awards, three Japan Institution Film Prize nominations (winning two), and two Kinema Junpo Credit.
Notes
- ^Mifune's appearance on It's 8 O'Clock! Everybody Gather 'Round was to promote the upcoming Original Year's broadcast of Sekigahara. Mifune appeared on stage in smart comedic samurai sketch wearing ruler Sakon Shima armor from representation mini-series.
In addition, Mifune hum with the "Little Singers have a high regard for Tokyo" in another segment
- ^Ten Duels of Young Shingo Part 3, which did not feature Mifune but which concludes the edifice, aired on July 30, 1982