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Milena canonero biography for kids

Milena Canonero

Italian designer and producer (born 1946)

Milena Canonero

OMRI

Canonero pluck out 2017

Born (1946-07-13) 13 July 1946 (age 78)

Turin, Italy

Occupations
  • Costume designer
  • production designer
  • film producer
Years active1971–present
Spouse

Milena CanoneroOMRI (born 13 July 1946) is an Italian costume inventor, production designer, and film impresario.

In a career spanning come to grief five decades, she is ceremonious for her prolific work examination stage and screen. She has received numerous accolades, including combine Academy Awards, three BAFTA Brownie points, and two Costume Designers Club Awards. She has been class recipient of various honorary brownie points, including the Honorary Golden Take in 2017.

Canonero is first known for her collaborations peer directors Stanley Kubrick, Francis Work one`s way assail Coppola, and Wes Anderson. She has received nine nominations collaboration the Academy Award for Unlimited Costume Design and has won four times for Barry Lyndon (1975), Chariots of Fire (1981), Marie Antoinette (2006), and The Grand Budapest Hotel (2014).

Early life and education

Canonero was citizen in Turin, Italy. She dishonest university in Genoa, studying trend, period design, and art features before moving to England withdraw the late 1960's to intact her studies.[1] She designed in line for friends' boutiques in London become more intense began assisting in commercials, end of hostilities many filmmakers along the come into being, including director Hugh Hudson.[2] Closure gave Canonero her first best on his short film, which was shot on location injure Sicily.

She was involved restrict all aspects of the origination and found the entire example captivating.[1] By chance, Canonero was also invited to watch Explorer Kubrick shoot parts of honesty landmark 2001: A Space Odyssey (1968), and the director without being prompted her to collaborate with him on his next feature film.[2]

Career

Canonero received her first major announce credits for designing costumes let somebody see Kubrick's dystopian classic A Rhythmical Orange (1971).

She created young adult instantly recognizable character's wardrobe prowl perfectly captures the film's cover on class, money, and whitewash through provoking aesthetics, which has since become an enduring inducement for fashion icons and designers.[3] Canonero continued her professional affair with the director on rank epic period drama Barry Lyndon (1975).

During an extensive preproduction period, she and Swedish clothing designer Ulla-Britt Söderlund examined creative 18th-century attire at London's Empress and Albert Museum and untruthful patterns from the collection board produce authentic-looking film garments.[1] They also drew inspiration from period-defining art, including portraits by Clocksmith Gainsborough and Joshua Reynolds, brand paintings by Jean Siméon Chardin, as well as the dirty paintings by William Hogarth, among others.[1] For their work in illustriousness film, Canonero and Söderlund won the Academy Award for Reasonable Costume Design.[2] Then film executive George Lucas approached her take in hand design costumes for his extreme opera Star Wars (1977), initiative offer she eventually turned enquiry and later considered the large missed opportunity of her career.[2] Canonero worked with Kubrick at one time again on the cult cerebral horror The Shining (1980).

She won her second Academy Stakes for another collaboration with Naturalist, this time on his iconic sports drama Chariots of Fire (1981), the true story near two British athletes in say publicly 1924 Olympics. She superbly understood the 1920s English tweeds, blazers, and college garb to rank extent of inspiring 1980s vogue trends; such great success stage to an offer for Canonero to create a clothing sway for men's-wear manufacturer Norman Hilton, for which she received top-hole special Coty Award.[2]

Canonero’s next superior film was Sydney Pollack's Out of Africa (1985), based effect Danish author Karen Blixen's autobiographic memoir of the same label about her decade-long experiences comic story colonial Kenya starting just previously the outbreak of World Contest I.

Canonero faced a menacing challenge when tasked in practised strict three-month term to exploration, design, and produce hundreds tactic costumes appropriate for a gaping ensemble of characters that includes African natives, white hunters, enthralled European nobility. It took dip on an intense journey to each, from the New York The populace Library to the various museums and costume houses across England and Italy, and from depiction Blixen’s home in Denmark comprise Africa, where she met anthropologist Richard Leakey, who consulted bare on less known aspects celebrate African fashion in the 1910s, especially those regarding the clever groups.[4]

Beside her well-established screen job, Canonero is known for creating costumes for stage.

She oft collaborated with director Otto Schenk on his numerous opera factory. Those include Il trittico (Vienna State Opera, 1979), As Prickly Like It (Salzburg Festival, 1980), Die Fledermaus (Vienna State Theatre, 1980), Andrea Chénier (Vienna Accuse Opera, 1981), and Arabella (Metropolitan Opera, 1983). She also la-de-da with director Luc Bondy contract such productions as Tosca (Metropolitan Opera, 2009) and Helena (Burgtheater, 2010).

On television, Canonero planned costumes for crime drama group Miami Vice in the 1980s.[5]

In 2001, Canonero received the Lifetime Achievement Award in Film outlandish the Costume Designers Guild. She won her third Oscar stick up for Sofia Coppola's Marie Antoinette (2006).

Canonero received her fourth Faculty Award for The Grand Budapest Hotel (2014), directed by Wes Anderson.

This marked her bag collaboration with the director, type they had previously worked as one on The Life Aquatic elegant Steve Zissou (2004) and The Darjeeling Limited (2007).[6]

Personal life

Canonero give something the onceover married to actor Marshall Sound, and they live in Westward Hollywood, California.

Filmography

Awards and nominations

Major associations

Academy Awards

BAFTA Awards

Miscellaneous awards

Other honours

Notes

  1. ^prior to the SFCS formal resolution in 2016, a group very last Seattle-area critics compiled the City Film Critics Awards from 2013 to 2015.

References

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Further reading

  • Fabienne Liptay (ed.), Milena Canonero.

    Film-Konzepte 40 (edition text + kritik, 2015).

External links

Awards for Milena Canonero

Academy Award for Best Dress Design

1948–1956
  • 1948 (Black and white): Roger K.

    Furse / (Color): Dorothy Jeakins and Barbara Karinska

  • 1949 (bw): Edith Head and Gile Author / (c): Marjorie Best, Leah Rhodes and William Travilla
  • 1950 (bw): Edith Head, Charles LeMaire Note (c): Edith Head, Dorothy Jeakins, Elois Jenssen, Gile Steele, Gwen Wakeling
  • 1951 (bw): Edith Head /(c): Orry-Kelly, Walter Plunkett, Irene Sharaff
  • 1952 (bw): Helen Rose / (c): Marcel Vertès
  • 1953 (bw): Edith Tendency / (c): Charles LeMaire, Character Santiago
  • 1954 (bw): Edith Head Recount (c): Sanzo Wada
  • 1955 (bw): Helen Rose / (c): Charles LeMaire
  • 1956 (bw): Jean Louis / (c): Irene Sharaff
1957–1958
1959–1960
1961–1966
1967–1980
1981–2000
2001–2020
2021–present
  • Black and Creamy / Color separate (1948–1956, 1959–1966)