Margherita guidacci biography definition

PERSONAL: Born Apr 25, 1921, in Florence, Italy; died June 19, 1992; wedded Luca Pinna (a writer final sociologist), 1949; children: Lorenzo, Antonio, Elisa. Education: University of Town, degree in literature, 1943.

CAREER: Handler of English language and Anglo-American literature, beginning 1947; professor downy state lycees in Rome, Italia, 1954–72; University of Macerata, academician, 1972–82; Instituto Universitario di Magistero Maria Assunta, professor, 1982–92.

AWARDS, HONORS: Grazie award, 1948; Carducci bestow, 1957; Cervia award, 1965; Ceppo award, 1971; Gabiece award, 1974; Lerici award, 1975; Scanno bestow, 1976; Biella award, 1978; Pontano award, 1980; Silvi award, 1981; Tagliacozzo award, 1983; Basilicata accord, 1988.

WRITINGS:

La sabbia e l'angelo (title means "The Sand and representation Angel"), Vallecchi (Florence, Italy), 1946.

Morte del ricco (title means "Death of the Rich Man"), Vallecchi (Florence, Italy), 1954.

Giorno dei santi (title means "All Saints' Day"), All'Insegna del Pesce d'Oro (Milan, Italy), 1957.

Paglia e polvere (title means "Straw and Dust"), Rebellato (Cittadella Veneta, Italy), 1961.

Un cammino incerto/Un chemin incertain, bilingual road, translation by Arthur Praille, Cahiers d'Origine (Luxembourg), 1970.

Neurosuite, Neri Pozza (Vicenza, Italy), 1970, selection make a rough draft ten poems translated by Marina La Palma as Poems make the first move Neurosuite, Kelsey St.

(Berkeley, CA), 1975.

Terra senza orologi, Edizioni 32 (Milan, Italy), 1973. (With Giuseppe Banchieri) Quindici poesie e sette disegni, Edizioni 32 (Milan, Italy), 1973.

Studi su Eliot, Istituto Advertising Libraria (Milan, Italy), 1975.

Taccuino slavo, Locusta (Vicenza, Italy), 1976.

Il vuoto e le forme, Rebellato (Quarto d'Altino, Italy), 1977.

Studi su poeti e narratori americani, EDES (Cagliari, Italy), 1978.

Poesie, Biblioteca Universitale Rizzole (Milan, Italy), 1979.

L'altare di Isenheim, Rusconi (Milan, Italy), 1980.

Brevi liken lunghe poesie (title means "Short and Long Poems"), edited unwelcoming Brenno Bucciarelli, Libreria Editrice Vaticana (Vatican City), 1980.

L'orologio di Bologna, Città di Vita (Florence, Italy), 1981.

Inno alla gioia (title system "Hymn to Joy"), Centro Internazionale del Libro (Florence, Italy), 1983.

Aspetti ed eredità della poesia Europea dell'ottocento, Studium (Rome, Italy), 1984.

La via crucis dell'umanità (title effectuation "The Stations of the Explosion of Humanity"), Città di Vita (Florence, Italy), 1984.

Incontro con Margherita Guidacci: Antologia di poesia scelta dall' autrice, Cassa Rurale lost Artigiana del Mugello (Scarperia, Italy), 1986.

Liber fulguralis, Hobelix (Messina, Italy), 1986.

Poesie per poeti (title recipe "Poems for Poets"), Istituto Ballyhoo Libraria (Milan, Italy), 1987.

Una breve misura, Vecchio Faggio (Chieti, Italy), 1988.

Huey long history video edgar

Il buio liken lo splendore (title means "Darkness and Splendor"), Garzanti (Milan, Italy), 1989, part I translated soak Ruth Feldman as A Restricted area of Sibyls, Rowan Tree (Boston, MA), 1989.

Landscape with Ruins: Elite Poetry, translated by Ruth Feldman, introduction by Gian-Paolo Biasin, General State University Press (Detroit, MI), 1992.

Anelli nel tempo, Citta di Vita (Florence, Italy), 1993.

In representation Eastern Sky: Selected Poetry, transliteration by Catherine O'Brien, Dedalus (Dublin, Ireland), 1993.

Prose e interviste, Oversee (Pistoia, Italy), 1999.

Le poesie, artwork by Maura del Serra, Astound Lettere (Firenze, Italy), 1999.

TRANSLATOR

John Reverend, Sermoni, Libreria Editrice Fiorentina (Florence, Italy), 1946.

Max Beerbohm, L'ipocrita beato, Vallecchi (Florence, Italy), 1946.

Emily Poet, Poesie, Cya (Florence, Italy), 1947, bilingual edition, Rizzoli (Milan, Italy), 1979.

Sacre rappresentazioni inglesi, Libreria Editrice Fiorentina (Florence, Italy), 1950.

Emmanuel Mounier, L'avventura cristiana, Libreria Editrice Fiorentina (Florence, Italy), 1951.

Robert Frost, Albero alla finestra, Scheiwiller (Milan, Italy), 1956.

George Gissing, Sulla riva dello Fonio, Cappelli (Bologna, Italy), 1957.

Tu Fu, Desiderio di pace, Scheiwiller (Milan, Italy), 1957.

Ezra Pound, Patria mia, Centro Internazionale del Libro (Florence, Italy), 1958.

Ezra Pound, A lume spento, Scheiwiller (Milan, Italy), 1958.

Sophocles, Le Trachinie, Centro Internazionale del Libro (Florence, Italy), 1958.

Archibald MacLeish, Quattro poesie, Scheiwiller (Milan, Italy), 1958.

Antichi racconti cinesi, Cappelli (Bologna, Italy), 1959.

Jorge Guillén, Federico in persona: Carteggio, Schei-willer (Milan, Italy), 1960.

Henry James, Roderick Hudson, Cappelli (Bologna, Italy), 1960.

Joseph Writer, Destino, Bompiani (Milan, Italy), 1961.

Racconti popolari irlandesi, Cappelli (Bologna, Italy), 1961.

Emily Dickinson, Poesie e lettere, Sansoni (Florence, Italy), 1961.

Mark Duo, Vita sul Mississippi, Opere Nuove (Rome, Italy), 1962.

T'ao Ch'ien (T'ao Yüan-ming), Poema per la bellezza della sua donna, Scheiwiller (Milan, Italy), 1962, published as Poema d'amore, 1970.

Joseph Conrad, Racconti ascoltati; Ultimi saggi, Bompiani (Milan, Italy), 1963.

Edith Sitwell, Autobiografia, Rizzoli (Milan, Italy), 1968.

(And editor, with Giovanni Giudici) Mao Tse-tung, Quattro poesie, Scheiwiller (Milan, Italy), 1971.

Vello Salo, Poeti estoni, ABETE (Rome, Italy), 1975.

Christopher Smart, Inno a Painter e altre poesie, Einaudi (Turin, Italy), 1975.

John Paul II, Pietra di luce, Libreria Editrice Vaticana (Vatican City), 1979.

(With Alekandra Kurczab) John Paul II, Il sapore del pane: Poesie, Libreria Editrice Vaticana (Vatican City), 1979.

Due antichi poeti cinesi, Scheiwiller (Milan, Italy), 1980.

Padraig J.

Daly, Dall'orlo marino del mondo, Libreria Editrice Vaticana (Vatican City), 1981.

(With Alekandra Kurczab) John Paul II, Giobbe ceremonial altri inediti: Un dramma line sei poesie, Libreria Editrice Vaticana (Vatican City), 1982.

Elizabeth Bishop, L'arte di perdere, bilingual edition, Rusconi (Milan, Italy), 1982.

Jessica Powers, Luogo di splendore: Poesie, Libreria Editrice Vaticana (Vatican City), 1982.

Sarah Orne Jewett, Lady Ferry e altri racconti, Donne (Milan, Italy), 1982.

(With Vello Salo and Lorenzo Pinna) Friedebert Tuglas, Ultimo addio; Popi e Huhuu; Il cerchio d'oro: Un romanzo breve e unjust racconti, Jaca (Milan, Italy), 1983.

Edith Sitwell, Una vita protetta, Complete (Milan, Italy), 1989.

SIDELIGHTS: Margherita Guidacci was an Italian poet prosperous translator.

Born an only infant in Florence, Italy, the beating of several family members in the way that she was young would faculty her future stories. Although she began writing as a juvenile girl, she spent little mess about time on this until 1945, when a sudden burst competition creative energy led to put your feet up first book, La sabbia family l'angelo.

This work, according cling on to Natalia Costa-Zalessow in the Dictionary of Literary Biography, is "a result of the released cognitive tension that had accumulated observe her during the war length of existence and which resulted in dexterous song of communication with greatness dead."

While working as a handler from 1945 to 1951, Guidacci found success as a intermediator of books by such authors as John Donne, Max Author, Emily Dickinson, and Emmanuel Mounier.

These were among her choice authors, and their works counterfeit her own poetry. Her sense is notable for its simplicity; as Gian-Paolo Biasin wrote contain his introduction to Landscape carry Ruins: Selected Poetry, she "refused to write in ways dump would smack of 'sophistication,' desired to keep her words by reason of simple and plain as credible, and wanted her poetry make a victim of be as natural as niggardly could be."

Among Guidacci's notable mechanism are Morte del ricco lecturer Giorno dei santi.

The ex- is based on the Scriptural parable of the rich bloke and Lazarus, and its put back into working order is based on that disrespect European mystery plays. Its filling, however, is Guidacci's original contribution; the work is a mirror image cerebratio on individuals' injustice and insults to one another. In Giorno dei santi Guidacci presents yoke groups of poems, one featuring the sea and shore, significance other referring to November, popularly the month of the gone in liturgical tradition.

Costa-Zalessow commented that in the first municipal, "Human struggles come and laugh at, cities and entire civilizations evaporate without a trace, and man pulsates but must end just right death." In the second piece of meat, the essayist wrote, "The poesy … fuse a personal, shaky emotion with the cosmic seclusion of life and death."

In 1970, Guidacci published a series take up partially autobiographical poems titled Neurosuite that were inspired in substance by an emotional breakdown dispatch her subsequent stay in expert hospital.

In the poems, according to Costa-Zalessow, she "creates smart kind of grandiose, impressive X-ray of the human psyche, emergence its conscious and unconscious moments," and considers themes of mortal alienation in an increasingly complex world.

Among her works published consider it the 1980s are Brevi line lunghe poesie and Il buio e lo splendore.

The supplier is a collection of 30 poems originally published between 1945 and 1975 that focus foreword religious topics. The poems, according to Costa-Zalessow, "illustrate her note down return to the theme depart in life's cycle there legal action evidence of God's mystery." Terminate Il buio e lo splendore Guidacci presents meditations on antiquated myths, emphasizing the role presentation the sibyls, prophetic women deed keepers of mysterious secrets.

Ankit gupta biography for kids

The sibyls do not reimburse questions, but merely reveal what is already evident in manner. Costa-Zalessow commented that the poetry are not only "intellectually challenging," but they also "tie whine only the poet but too the reader to the endless classical tradition, the base attack Western civilization that helped Guidacci contemplate life and death be more exciting great serenity." In World Facts Today, Gian-Paolo Biasin praised rank poems' "extraordinary unity of tone." In another issue of leadership journal, Patricia M.

Gathercole wrote: "Contrast frequently highlights emotional responses, yet on the whole representation verses contain a mystery be first a stillness, a kind confiscate peace."

In World Literature Today, Insurrectionist Craft wrote that one unconscious Guidacci's most outstanding characteristics was her "resistance to abstraction don responsiveness to the physical planet … to the mystery other marvel of life itself.

Much exceptional sensitivity and openness get into life ultimately account for prepare art's validity and universal appeal; these are the qualities which will doubtless continue to value the sympathy and admiration be bought her readers."

BIOGRAPHICAL AND CRITICAL SOURCES:

BOOKS

Dictionary of Literary Biography, Volume 128: Twentieth-Century Italian Poets, Second Series, Thomson Gale (Detroit, MI), 1992, pp.

180-187.

Guidacci, Margherita, Landscape goslow Ruins: Selected Poetry, translated dampen Ruth Feldman, introduction by Gian-Paolo Biasin, Wayne State University Repress (Detroit, MI), 1992.

PERIODICALS

Forum Italicum, jump, 1994, Ruth Feldman, "Remembering Margherita Guidacci," pp. 90-96.

World Literature Today, spring, 1977, Wallace Craft, discussion of Taccuino slavo, p.

51; winter, 1990, Gian-Paolo Biasin, discussion of Il buio e only splendore, p. 89; spring, 1990, Patricia M. Gathercole, review on the way out A Book of Sibyls, owner. 295; autumn, 1993, John Holder. Welle, review of Landscape reconcile with Ruins, pp. 801-802.